Born in Deir Yessin, directed by Neta
Shoshani, is a new documentary film that premiered at the Jerusalem Film
Festival last week. This stark and
disturbing film tells the Israeli version of a dark stain on Israeli history of
the War of Independence -- the story of Deir Yessin, the Arab village on the
outskirts of Jerusalem that was conquered by the Lehi and Irgun, and the
ensuing massacre that took place there.
Now, years later, we
hear from the Lehi and Irgun perpetrators, the Haganah intelligence operatives
who were sent to check out what actually transpired, and the Jerusalem
teenagers who were sent to bury the corpses.
The stories include how grenades were thrown into houses and entire
families were killed, and how people were lined up and shot against the wall.
The filmmaker pushes the perpetrators to remember the
past. They talk about their memories and
their rationalizations. One says: “We fought so that the next generation would
take the state for granted.” And another one states: “It was a dirty job but it
achieved an important objective.”
Some of the veterans of these Jewish extremist groups who
were interviewed are portrayed by the director of the film as stark raving
lunatics. This is a veiled reference to similar extremists in today's Israel who
commit unspeakable deeds.
During the early 1950s, the abandoned village of Deir Yassin
was closed off to the public and the Givat Shaul psychiatric hospital was built
on the ruins. In a fascinating way, a
parallel story is offered in the film. In
the 1960s, a Jewish boy named Dror was born in the hospital, and sent away to
be brought up apart from his mother, who spent most of her life in the asylum.
Today, he returns to request his mother’s medical records and he reads about
the traumas and the suffering of a woman whose baby was taken from her.
The metaphor is quite clear – we are all victims of our past
and Deir Yassin represents a stain on our history, a part of our past which is
kept closed away in the archives. We
cannot escape who we are and what elements from our past have influenced
us. And some of us have become
completely insane from the ongoing cycle of violence which continues to haunt
us. In some eerie way, the filmmaker is suggesting to us that we all live in an
insane existence on the ruins of this village!
This is a particularly stirring and well-presented
documentary film about one side of the story.
It does not try to tell the Palestinian narrative about the suffering,
the individuals who were killed, the women and the children or the wild
exaggerations that were used in the Arab world to inflate the size of the
massacre, causing many Palestinians to flee their homes. Rather it focuses on the ongoing Israeli struggle
to come to grips with such a tragic part of our past.
Born in Deir Yessin (documentary, 63 minutes)
can be obtained from Rotem.faran@gmail.com
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