"World Cinema: Israel"

My book, "World Cinema: Israel" (originally published in 1996) is available from Amazon on "Kindle", with an in-depth chapter comparing and analyzing internationally acclaimed Israeli films up to 2010.

Want to see some of the best films of recent years? Just scroll down to "best films" to find listings of my recommendations.

amykronish@gmail.com

Showing posts with label --Arab Labor. Show all posts
Showing posts with label --Arab Labor. Show all posts

Saturday, February 11, 2012

A Disappearing Act



The Israeli TV sitcom, Arab Labor, scripted by Sayed Kashua, has just begun its third season.  This TV series has done more than any other form of cultural expression to bring Israeli Arabs into the homes and hearts of mainstream Israel, using humor to break barriers and combat stereotypes.

The main character, Amjad, is a Palestinian journalist, living in a Jewish neighborhood in Jerusalem with his family.  In this recent episode, his neighbors are trying to sell their apartment.  Amjad goes to welcome the potential buyers, to introduce himself, and to talk to them about the wonderful tenants in the building.  This scares away the buyers and the neighbors ask him to lower his profile or disappear. 

Having invested most of his energies in trying to prove that Arabs and Jews can live together, Amjad is truly offended.  He decides to try to go on the TV show, Big Brother, in order to have an opportunity to express his feelings publicly.  Instead, Big Brother gives him a mission to hide his identity and pretend to be a Jew, while the rest of the participants must try to discover who is the Arab among them.


This need to hide your identity, to pretend to be someone you're not, and to disappear completely was also the main message of a brilliant short drama, The Magician (20 minutes, 1993).  This short was directed by Rashid Mashrawi, a Palestinian from Gaza who moved to Ramallah after the Oslo agreements. He has directed a number of feature films, including Haifa, Curfew, and more recently, Laila's Birthday.
 
The Magician takes place in a Tel Aviv nightclub, a short while before opening.  The owner, a blatant chauvinist, is playing backgammon with a friend, while his girlfriend sits by chewing gum. The other characters in the nightclub represent various sectors in Israeli society: there is a new immigrant from Russia, who stands by tuning his violin, a college student working as a waitress, and an Arab washing dishes in the kitchen.

A magician drops by, looking for work. His expertise is making people vanish! None of the people present in the room are willing to let the magician demonstrate this skill on them, so they ask Ahmed, the Arab kitchen worker, to volunteer. But after the magician causes him to vanish, he finds it difficult to bring him back. Instead, he manages to conjure up another Russian immigrant. The new Russian is an unemployed musician, and is also looking for work, but he is unwilling to take Ahmed’s place in the kitchen. The magician therefore makes him vanish again. Nobody seems to care that Ahmed is missing, but they do need someone to take over his job washing dishes in the kitchen.

The filmmaker is making a comment about the invisibility of Arabs within Israeli society.

When I worked with a team of people studying films for coexistence education, we discussed this film in depth and paid particular attention to this theme of the invisibility of Palestinians --

"The Arab worker, Ahmed, is present in the club only in the context of his job in the kitchen. He has no real existence – a fact that raises the subject of Israeli Arabs and their place in Israeli society. Israeli Arabs are familiar to many Jews only in the context of jobs they perform. The media pays scant attention to what is happening within Arab society in Israel, which suffers from economic, civic, political and social discrimination. All these facts, along with the very use of the term 'Arab sector,' reflect the status of Israeli Arabs as a marginalized national minority. From the point of view of the Jewish majority, they are 'transparent,' 'invisible,' 'erased'.The pub owner thus has no qualms about causing Ahmed to disappear, since he is already 'invisible,' to a large extent, by virtue of his status in the public discourse."

(excerpted from Understanding One Another – The Use of Film for Coexistence Education, published by the Interreligious Coordinating Council in Israel).

As we see from these film and TV expressions, deep down inside, Israelis wish that the Palestinians would just go away, vanish, disappear.  Last night, I heard Prof. Mohammed Dajani, Palestinian professor at Al Quds University and the founder of a moderate Muslim organization called "Wasatia"   speak to a foreign audience.  When you ask Palestinians and Israelis about their big dreams, he said, they wish the other would just disappear. But when they get realistic and talk about their small hopes, they talk about compromise, about establishing two states and sharing this land, and about getting along together. This comment gave the audience some sense of hope that perhaps continued invisibility is not the way of the future.



Tuesday, March 30, 2010

Sayed Kashua: Forever Scared

This documentary film, directed by Dorit Zimbalist, provides an insightful portrait of an intelligent and expressive Israeli Arab author, a man who straddles two cultures, and sees himself as a voice for Arabs who are citizens of Israel. Sayed Kashua is well-known in Israeli society. In the film, we see as he reaches out to make an impact by writing a weekly column for the weekend Ha'aretz magazine, scripting the TV series Arab Labor (which has been reviewed on this blog), and speaking at high schools and to groups of soldiers.
An important novelist and commentator, Kashua has become the voice of satire and criticism, especially dealing with how Israeli society treats the Arab minority in its midst. His TV series, which brought the portrayal of Israeli Arabs to prime time TV, is about a man who wants more than anything else to be accepted within Israeli society. But he never can be. Even though the series won an award for Best TV series at the Jerusalem Film Festival, it brought Kashua a lot of criticism from within the Arab community.
This honest documentary provides an in-depth and hard-hitting look at the man, the father, the spokesman, exposing some of his innermost and personal feelings and fears.
The film is available from Ruth Diskin Films.

Friday, November 7, 2008

Portrayals of Palestinians and Jews in new Israeli films

I have been on the road for a few weeks, speaking in synagogues and at Jewish film festival events in North America on issues of contemporary Israel as seen through film. Last night (Thursday, November 6th), I spoke for the Palm Beach Jewish Film Festival at a special preview event for donors at a private home in Palm Beach Gardens. The festival (http://www.pbjff.org/ ), directed by my friend and colleague, Karen Davis, will run for 10 days in December. Karen asked me to give a sneak preview of some of the films that will premiere at the festival next month. I showed clips from Lemon Tree directed by Eran Riklis and from the TV series, Arab Labor, directed by Ron Ninio and scripted by Saed Kashua. Both portray the lives of Palestinians living in Israel and the West Bank. One, Arab Labor, focuses on Palestinian Arabs of Israeli citizenship, and the other, Lemon Tree, tells the story of a Palestinian woman whose grove of lemon trees is threatened since it has been declared a security risk by the Israeli security forces.

The audience was a particularly sophisticated group and they really got the point, i.e. that Israeli filmmakers are now creating sensitive and substantive films that delineate in clever and imaginative ways the intertwining lives of Jewish Israelis and Palestinians, both inside Israel and in the West Bank. Both Jews and Palestinians live “normal” and at the same time complex lives, often completely separate and sometimes very much together. This is a phenomenon that American Jews are becoming more sensitive to and more aware of, thanks in great measure to new groundbreaking portrayals in contemporary Israeli films.

One remarkable and humorous anecdote of the discussion last night was that half of it was held in the beautiful and spacious bedroom of the hostess of the event, since the DVD player in her family room wasn’t working! This is probably the first time in history, that an Israeli film, Arab Labor, which portrays the lives of Israeli Arabs in a very human and humorous way, was screened and analyzed in the bedroom of an American Jewish home!!

So, who can say that history is not being made in South Florida everyday – after the mess with the ballots in the Bush-Gore election 8 years ago, Florida went for Barak Obama in the American Presidential Election a few days ago!!

Arab Labor is one of a diverse selection of films being shown currently at the "Other Israel" Film Festival in New York -- check out their program at http://www.otherisrael.org/films

Sunday, July 20, 2008

Israeli films win awards at the 2008 Jerusalem Film Festival

Each year, the Jerusalem Film Festival offers awards for the best Israeli films in a variety of categories.

The award for the best feature film is called the "Wolgin Award", named for the donor. This year, only 4 films were competing in the competition, and there was no question that the jury would choose Seven Days (Shiva), directed by Ronit Elkabetz and Shlomi Elkabetz – a sister and brother team. Set during the intense and claustrophobic atmosphere of the seven day period of mourning, the complex story is about a Moroccan family and weaves together family memories, financial crisis, and reconciliation. See my posting last week for more information: http://israelfilm.blogspot.com/2008/07/shiva-seven-days-directed-by-ronit.html

The award for the best documentary went to The Tale of Nicolai and the Law of Return, directed by David Ofek, which is a fascinating look at an illegal foreign worker and his status under the Law of Return.

Two awards for the best television dramas were given in memory of Anat Pirchi. The award for the best drama went to And Thou Shalt Love, directed by Chaim Elbaum, for his short film about a gay yeshivah student who is forced to decide whether or not his sexual preference permits him to remain within the Orthodox community. See my previous posting for more info: http://israelfilm.blogspot.com/2008/07/and-thou-shalt-love-fresh-look-at.html

The award for the best TV Series went to Arab Labor, directed by Rony Ninio and written by Sayed Kashua for their series about an Israeli Arab and his family. In portraying and poking fun at different stereotypes of Israeli Palestinian Arabs (such as the garage mechanic who uses stolen parts to repair his clients' cars), the scriptwriter is turning the tables and asking the TV viewing audience – Is this really what you think of us?

The title of the seriesrefers to two things within Israeli society -- the first is the historical imperative called "Hebrew labor" which meant that only Jewish sweat and toil should be used to build the nation; the second is a derogatory term meaning "shoddy workmanship." This series is is produced and broadcast by Keshet (one of the two companies licensed to broadcast on Channel 2) and distributed by the producer, Daniel Paran, dpv@dorimedia-darset.com or from Hedva Goldshmidt at http://www.go2films.com/