"World Cinema: Israel"

My book, "World Cinema: Israel" (originally published in 1996) is available from Amazon on "Kindle", with an in-depth chapter comparing and analyzing internationally acclaimed Israeli films up to 2010.

Want to see some of the best films of recent years? Just scroll down to "best films" to find listings of my recommendations.

amykronish@gmail.com

Showing posts with label nakba. Show all posts
Showing posts with label nakba. Show all posts

Tuesday, February 1, 2022

Tantura, The Story of an Arab Village from 1948

Tantura, directed by Alon Schwarz, is a new meticulously-researched documentary film which tells a disturbing story from the 1948 war, including a shocking and senseless killing, and a massive cover-up in its wake.  The film includes interviews with perpetrators, victims and witnesses (many now more than 90 years old), recreations, and never-before-seen archival material from the 1948 war.

The Arab village of Tantura was located on the coast, a bit south of Haifa, near Zichron Ya’akov, where Kibbutz Nachsholim and Dor Beach are located today. The soldiers of the Alexandroni Brigade conquered the village in 1948, and the surviving villagers were expelled – some of them across the border.  There had always been rumors of a massacre there, and in the 1990s, Teddy Katz, a graduate student at Haifa University, interviewed more than 130 people – both Jews and Arabs – as primary research material for the writing of a Master’s thesis.  He stated in his thesis that not only were the Palestinians of Tantura expelled from their village, but there was also a massacre of perhaps as many as 200 unarmed men which took place after the conquest of the village was concluded. 

A conspiracy of silence had been created by the veterans of the Alexandroni Brigade.  At the time that Katz’s thesis became public through a report in an Israeli newspaper, members of the brigade’s veterans’ association sued Katz in civil court for libel, forcing him to deny his academic findings and to apologize saying that no massacre had taken place. 

Now, more than twenty years later, filmmaker Alon Schwarz provides the viewer with an enormous body of testimony – using the original audio recordings from Teddy Katz’s research, original documents and also contemporary interviews -- in order to build a story of what happened in that village so many years ago.

This film is part of the ongoing story of the Nakbah, the Arabic word for “catastrophe”, which refers to the terrible tragedy that befell the Palestinian people during the 1948 war, in which hundreds of Palestinian villages were destroyed.  In some cases, the villagers fled, but in many other cases Palestinians were expelled or forced to flee by intimidation.  Later on, tractors were sent in to demolish the villages. As if this was not enough, there were also terrible atrocities that occurred – senseless killing of unarmed villagers, looting, and cases of rape. 

But Israelis like to think of themselves as the under-dog in this war. Also, atrocities were committed not only by Jews but also by Palestinians in that very difficult war. Nevertheless, an entire myth of denial of the Nakbah has been built up in Israeli society which includes the refusal to teach about it in Israeli schools and the claim that the Israeli army is the most moral army in the world.  During wartime, however, armies by definition do many immoral things.  Apparently, the Israeli army in the 1948 war was not immune to such acts.

Many questions remained in my mind after viewing this difficult film: can Israeli society acknowledge the destruction of the village of Tantura, the massacre, the expulsion and the ensuing years of denial? Will grappling with the terrible atrocities committed during the 1948 war help us to move on?  Will it help the descendants of Tantura come to terms with what happened there?  As journalist Gideon Levy wrote last week in Ha’aretz, won’t this help to lay the ghosts of the past to rest?  Perhaps this film could be the first step along the path of mutual recognition of past sins, similar to the Truth and Reconciliation commission of South Africa.

The film Tantura (documentary, 90 minutes) was produced with funding from two Israeli mainstream bodies: HOT cable TV and the New Fund for Cinema and TV.  The film is available from Reel Peak Films. 


Tuesday, February 7, 2012

Mohammad Bakri

Mohammad Bakri is one of our major actors -- both on screen and on stage.  He is also an important voice as an independent documentary filmmaker.

On the subject of his contribution as a documentary filmmaker, please see my recent article which was posted on the culture blog of The Forward.

Monday, February 6, 2012

A Work in Progress

Sometimes I have the opportunity to view a documentary film as it is being produced, and I thought readers would appreciate the opportunity to see this film in progress. The name of the film is Road to Tantura and the filmmaker is a Palestinian/American woman named Hala Gabriel.  This is a film about the nakba – the Palestinian tragedy of 1948 and this is a personal documentary which combines the national with the personal.  The filmmaker tells her own family story and the story of the coastal village where they lived until they were forced to flee in 1948, all part of the national Palestinian history.    

Hala Gabriel was born in a refugee camp in Syria.  Later they made their way to Ann Arbor and today, she lives in Los Angeles.  She is a very articulate woman who is looking for her family roots.  She interviews family members living throughout the Palestinian diaspora and asks, why are we refugees?  How did that happen?  And she adds, I needed to know their story.  Using the personal angle, she has created an honest and authentic document which discusses that terrible day in May 1948 when the Haganah attacked their village and they were driven from their homes.  Some of the men were imprisoned and many were killed. 

The film is beautifully photographed and the personal angle makes it authentic and quite emotional.  The interview with her elderly aunt adds a touching aspect to the story – she recalls with a smile, floating on her back in the sea by their village when she was a teenager!  

The filmmaker travels to England to meet a Holocaust survivor, who was one of the Haganah soldiers who participated in the attack that day.  He tells the story and remembers the horror of driving the people from their homes and killing some of the men, all of which brought back memories of what happened to him as a child during the Holocaust.  He couldn't stand it and this is why he went to live abroad.

This is a story that needs to be told if we are ever going to understand the pain and suffering experienced by the Palestinians living in this land.

The clip that I watched was 20 minutes and it can be viewed on-line .

You can also read about the film and the filmmaker on the film's website





Sunday, October 25, 2009

Learning about painful chapters in each other's history -- Documentary films by Mohammad Bakri

In honor of the upcoming Other Israel Film Festival , Nov. 12-19, 2009 in New York, I have chosen to write about Zahra, a new documentary by Mohammad Bakri (60 minutes, 2009). The film is produced by Carole Zabar who is also the moving force behind Other Israel.

Mohammad Bakri is well-known for his acting roles (Beyond the Walls, Cup Final, Scar, Haifa, The Milky Way, Desperado Square) and for his controversial documentary films (Jenin, Jenin and 1948).

1948 (produced in 1998) deals with complex issues of the Palestinian “Nakba” (arabic word for the Palestinian catastrophe of 1948). The film combines clips from Bakri’s one-man theatrical adaptation of the Israeli Arab author, Emil Habibi's "The Opsimist", with interviews and documentary segments about the events of the Palestinian “Nakba” of 1948. The interviewees talk about the destruction of villages, how people were killed, and what was done in order to force the Palestinians to flee.

The film seeks to explain the main narrative of the Palestinian people. It helps the viewer to understand the great tragedy that they underwent as the state of Israel was established. Certain parts of the film attempt to shatter myths surrounding the events of that time. For example, the Palestinians who are interviewed differ in their interpretation of who was responsible for the departure of the Palestinians from their homes. Some adamantly blame the Arab leaders of the period who themselves fled Palestine and left the local population without leadership, and some blame the Jewish leaders of the time.

In his new film, Zahra, Bakri has chosen a completely different style. Combining the national with the personal -- he provides a personal family story that takes place on the background of the events of 1948.

Zahra is the filmmaker's 80-year-old aunt, a remarkable woman, and the film tells her story of a traditional way of life. Zahra married her cousin Hasan, and in 1948, when she was 19 years old, with her first 2 (out of 10) children, fled to Lebanon. At that time, her husband was imprisoned by the Israeli authorities. Later, Zahra returned to her village, Al Bane, and soon thereafter her husband was released. Over the years, Zahra raised 10 children, almost single-handedly, since her husband died young and she worked picking olives to support them. She tells stories, talks about all the people they knew. We meet her children and see her many grandchildren and great grandchildren.

In a discussion with the filmmaker following a public screening of 1948 sponsored by the Interreligious Coordinating Council in Israel (ICCI), a number of years ago, Mohammad Bakri candidly described himself as a member of the younger generation of Palestinians who does not have personal memories of 1948. Therefore, he expressed optimism that dialogue and coexistence could flourish in the future as the memories fade. Bakri expressed his personal desire that every young Israeli – Jewish and Arab -- would see this film so that they could better understand the pain and suffering of those people who were displaced as the State of Israel was established. When asked by the audience to also deal with the other side of the same coin – that is, what he would show every Palestinian young person -- he expressed a desire for every Palestinian to learn more about the Holocaust, both through film and through literature, in order to better understand Jews. He emphasized that: Only by learning about the most painful chapters in each other’s history can we bridge the gap between us.

Both films – 1948 and Zahra are films created by an artist -- combining poetry, Arab music and songs, and a beautiful cinematic aesthetic. The films are available from Mohammad Bakri: mohammadbakri@hotmail.com