"World Cinema: Israel"

My book, "World Cinema: Israel" (originally published in 1996) is available from Amazon on "Kindle", with an in-depth chapter comparing and analyzing internationally acclaimed Israeli films up to 2010.

Want to see some of the best films of recent years? Just scroll down to "best films" to find listings of my recommendations.

amykronish@gmail.com

Showing posts with label Sam Spiegel Film School. Show all posts
Showing posts with label Sam Spiegel Film School. Show all posts

Tuesday, October 15, 2024

Late Summer Blues Director Renen Schorr Creates a Personal Memoir

Wake Up, Grandson – Letters to My Rebellious Rabbi (המעורר) is a documentary film, directed and written by Renen Schorr Heller.  Renen Schorr is well-known in Israel for two major achievements – he directed the iconic 1986 film, Late Summer Blues, and he was the founding director of the Sam Spiegel Film and TV School in Jerusalem, which now sits in one of four buildings in a major impressive cultural complex in downtown Jerusalem.  Schorr served for 30 years in that position from 1989 to 2018.

 In this sophisticated documentary film, he has combined three elements -- a personal memoir, the story of the state of Israel (since its establishment in 1948), and the story of his grandfather who had a profound impact on his life.  In so doing, he combines documentary footage, family movies and stills, and even some re-enactments. The results are a fabulous interweaving, with superb editing and excellent cinematography (particularly of Jerusalem and Safed).

Schorr’s grandfather, Rabbi Avraham Zeida Heller, was an orthodox rabbi, fourth generation in Safed. In fact, his own grandfather had been the chief rabbi of Safed in the early 19th century!  Rabbi Avraham Zeida Heller was the head of a Safed yeshivah during the War of Independence and was known for believing in both the importance of prayer and military defense.  He is quoted in the film as saying: “It is important to recite Psalms, but the miracle was when the Palmach arrived!” He was married with five daughters, one of whom was the mother of Renen Schorr. 

The film is centered around many years of an exchange of letters between the grandfather and the grandson.  The elder is forever begging his grandson (in literary Hebrew) to give up his love of Truffaut and to follow the path of Uri Zohar, to carry on the Jewish tradition. [Uri Zohar, who was a hero to Schorr in his early years of filmmaking in the 1970s, was a famous Israeli filmmaker who gave up film for a life as an ultra-orthodox rabbi.]

In this poignantly personal film, Schorr portrays his growing up, his living through the War of Attrition with Egypt (1969-1970), army life, his service as a war correspondent, the horrors of the Yom Kippur War of 1973, his gradual falling in love with the field of cinema and his profession as a teacher and filmmaker.  The descriptions of the hardships of producing a full-length feature film as a young artist were eye-opening.  Moreover, the footage that he found and used in the film was stupendous, including footage from Late Summer Blues itself. This famous film was well-known in Israel for its satirical criticism of the War of Attrition with Egypt. The screenplay raised many critical questions about the goals and futility of war, which are particularly relevant for our current situation in Israel today, when we are fighting two wars of attrition.

In 1989, Schorr was chosen by Teddy Kollek, the popular mayor of Jerusalem, to head a new film school which was being established at that time.  Schorr had to contend with the obstacle of drawing secular film students away from Tel Aviv and bringing them to Jerusalem.

The film reveals the tensions in Israeli society between the religious and secular, between the film world of Tel Aviv and the dreams of Teddy Kollek for Jerusalem, between the holiness of Safed and the hedonism of Tel Aviv. 

Schorr’s grandfather lived well into his 90’s and a final request is sent to his grandson – make a movie about me.  Towards the end of the film, Schorr changes his name officially to Renen Schorr Heller, as a beautiful way of memorializing his grandfather, and he undertakes to direct a scene which was written by his grandfather and which takes place at the turn of the 20th century in Safed. 

Wake Up, Grandson is an extraordinary documentary film (93 minutes) – beautifully conceived, with great pacing, which combines the personal and the national in an  effortless way.

The film is available from Go2Films.

 



 

Sunday, December 12, 2021

Short Films from the Sam Spiegel Film School

I always find it fascinating to see what subjects are on the minds of our young filmmakers.  The latest crop of graduation films from the Sam Spiegel Film School are all professionally produced, compelling films on a wide variety of subjects.  There is one film that deals seriously with the issue of military service and post trauma, but just as our society is moving from national issues to issues of the individual, most of the films offer engaging glimpses at the lives of young people today, stories that emphasize the individual rather than the collective, the human rather than the national.  

Here are a few lines on some of the films –

This Film is a Reminder, directed by Rotem Dimand, offers a troubling look at a young woman and her relationships (16 minutes).

What Has Changed, Mah Nishtanah , directed by Salomon Chekol, which takes place on Seder night, is about the poverty of an Ethiopian family (16 minutes).

Storyboard, directed by Gil Ishai, is a humorous animated story about a high school teacher (5 minutes).

Vacant Space, directed by Shmueli Cohen, is a very hard-hitting film (30 minutes) about a bunch of army buddies who get together on zoom, catching up, telling stories about a friend who died from their unit, and eventually sharing with each other stories of their own grappling with post trauma.

Capsule, directed by Snir Aznovich, offers a sensitive depiction of a young woman’s thoughts and worries when the piano tuner arrives (14 minutes).

The Soloist, directed by Noga Tempkin, is a compelling film about a young woman dancer who is stressed before her performance and she decides to trade places with another performer (19 minutes).

Stagnant Water, by Coraline Zorea, is about a teenage girl from a kibbutz, who is a school drop-out, working at the nearby fish farm (18 minutes).

Distribution:  Cara Saposnik, Director of International Relations & Distribution at the Sam Spiegel Film School, cara@jsfs.co.il 

 

 

Wednesday, January 1, 2014

Student Shorts



I love recommending student films because they are a reflection of what issues and subjects are important to young Israelis today.  This collection of short dramas by film students at the Sam Spiegel Film and TV School in Jerusalem is distributed by RuthDiskin. 


  • ·         Tateh by Yaniv Linton (short drama, 24 min., 2012)

A touching and intimate tale about the relationship between a grown man and his father.  In this case, the grown man is a Bratslav hassid, driving around in his van, spreading the message of Rabbi Nahman of Bratslav.  He receives a phone-call  that sends him on a journey and he goes to reconnect with his father on the kibbutz where he grew up.  A small moment of intimacy and reconciliation provides a strong ending. 
   

  • ·         How I Killed Rabin by Michael Alalu (short drama, 17 min., 2012)

A tale about growing up during a period of great national drama.  The story is about an adolescent boy in Jerusalem -- his struggles and angst portrayed on the background of the night of Rabin's assassination.  The film uses an interesting technique of the adolescent talking to himself and it provides insight into how each of us sees an event through our own perspective. We see the boy in his youth movement (HaShomer Hatzair), follow him with the girl that he likes, and learn about his obsessions and fears.  Finally, we travel with him and his family to the big peace demonstration in Tel Aviv, that night in November 1995, when Prime Minister Yitzhak Rabin was shot.
·      

  •           Papercuts by Gilad Deutsch (short drama, 13 min., 2013)

Boy meets girl on the Haifa Carmelite (funicular).  Even though they are both lonely and unhappy souls, a relationship is born.  A compelling story. 


  • ·         Tormus by Sari Bisharat (short drama, 14 min., 2013)

A 16-year-old boy from an Arab village wants to earn money. He takes his grandfather's old cart, and with the help of his younger brother, he sets out to try to sell beans which his mother has prepared.  Not having a lot of success in their village, they try to sell at a nearby community where the Jews are willing to pay more for Arab food.  Everything is going well until the city inspector asks for their license.


  • ·         Driver by Yehonatan Indursky (short drama, 30 min., 2011)

A touching portrait of three people -- a haredi  (ultra-orthodox) man who drives around two lost souls in an attempt to help them.  The entire film takes place within the car during one evening.  He's driving a man from apartment to apartment, where he's schnoring (begging for) money because the man is dying of a disease and wants to be sure that his seven children will be cared for.  In the back seat is a woman who is obviously having trouble with her husband.  


  • ·         Diploma by Yaelle Kayam (short drama, 20 min., 2009)

In Hebron, a young Palestinian woman is graduating from the local college and wants to go to her graduation ceremony.  There is a curfew because it's the Jewish holiday of Purim, so she sets out with her younger brother to accompany her.  Brother and sister go over the rooftops and down narrow alleyways to try to get to their destination.  At first there is tension between them.    But after they are stopped by an Israeli Army patrol and as their dangerous adventure continues, they share a moment of real companionship.