Beyond the Mountains and Hills, directed by Eran
Kolirin, is the story of a dysfunctional family on the background of life in
Jerusalem.
David spent 27 years as an officer in the Israeli army. Having reached the grade of
lieutenant-colonel, he is now retiring.
This film is the story of how he and his family cope with the changes. David has to learn to adapt to the business
world, to being at home with his family, and to learning to like the things
that his wife likes. But it turns out
that things are not so easy. His wife is
a high school teacher who is attracted to one of her students; his daughter is
involved with left-wing causes; his son is socially awkward; and he has his own
frustrations.
Every scene makes you stand back and feel emotional
distance. There is no warmth between the
characters. In fact, there is suspicion,
stilted dialogue, and physical distance – all of which adds to the implied
discomfort of the characters, and thence the discomfort of the viewer. This is a not-so-subtle technique for
criticizing dysfunctional elements of Israeli society. The school teacher is ridiculed by her students. One army officer is apparently screwing his
unit’s young social worker. The Arabs
are seen as terrorists by the security services and the viewer can’t help but
see them as potential rapists.
The most difficult criticism of Israel is in the story told
by the motivational speaker at David’s attempted entry into the business
world. My interpretation of this story
is that you have to do some tough things in a tough world. In other words, Israel is located in a bad
neighborhood, and as a result, is forced to make some difficult choices.
There is just enough betrayal, revenge, illicit sex and
personal frustration to make this an interesting story. But something is missing in the delivery. You probably remember that Eran Kolirin also
made the Band’s Visit. But
this new film has none of the charm or in-depth characterization that you loved
in the Band’s Visit.
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