In Between (Bar Bahar), the debut film by
Maysaloun Hamoud, is a compelling story about three Palestinian Israeli women, who
are caught between their traditional society and the allure of the independent
and open lifestyle of Tel Aviv.
Layla is a sophisticated lawyer. She dresses beautifully and enjoys smoking,
drinking, drugs and partying. When she
finally meets the man of her dreams, a handsome Arab filmmaker, it becomes
obvious that he is not willing to bring her home to meet his parents unless she
dresses like a traditional Muslim. But
Leila is not willing to change who she is and how she behaves for anyone.
Salma works as a barman in Tel Aviv, and comes from a
conservative Christian family. She and
Layla host some of the best parties! Salma’s
parents are trying to find a suitable mate for her and are aghast to discover
that their daughter is living a non-normative lifestyle.
Nur is the most traditional of the three, wearing a hijab,
and engaged to marry a religious man.
But she is disappointed to discover that he wants his wife to be a
stay-at-home mom, even though Nur is completing her degree in computer science
at Tel Aviv University.
These three women, although very dissimilar, are facing
similar dilemmas about moving from the traditional requirements of life in the
village to a more modern life in the city.
One of the highlights of the film is the way that the filmmaker makes
these three apartment-mates work together in common cause, even though they are
so different from each other. They are
all looking for a suitable partner and they are fluent in Hebrew and would
almost pass in Israeli society except for the fact that they are proud Arabic
speakers and never hide it. In one
humorous scene, a shopkeeper makes a face when she hears them speaking
Arabic. One of the girls says, don’t
worry, we don’t bite!
The filmmaker has chosen to portray men in this film in a
very critical light. The most compelling
male figure turns out to be Nur’s very traditional father, who is loving and
understanding of his daughter in the time of a crisis. But, as part of the filmmaker’s criticism of
the Arab patriarchal society, the other male characters are stereotypes of Arab
men. In fact, in a recent column in Ha’Aretz,
Sayed Kashua wrote about how people from the Muslim city of Um el-Fahm are
critical of the film. He explains that this is because one of the major male
characters is a religious Muslim man from Um el-Fahm who turns out to be a chauvinist
and a rapist.
In Between includes a lot of wit and charm. Variety called it Sex and
the City for Palestinian Israeli women living in Tel Aviv. Although there is an extreme amount of
smoking, drinking and drugs, I found it enormously enjoyable mainly because it
provides a window into the problems of women trying to move from a traditional family
life to a more independent one.
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