The new Israeli feature film that everyone is talking about
is Sand Storm (Sufat Hol), directed by Elite Zexer. This film is about those Bedouin who live in
small villages, many unrecognized, dotting the hills of the northern
Negev. Some live in shacks, and some
live in small homes, all without basic infrastructure provided by the
government. Those who can afford it have
generators which provide electricity for basic needs such as small refrigerators
and washing machines. This is a
patriarchal and traditional society.
The film tells the story of a mother and daughter in one
family within this closed society. Layla,
the oldest daughter, is attending a nearby college. Her father obviously indulges her and, in the
opening scene of the film, he is teaching her how to drive. She is independent, bright, and in love with
a lovely Bedouin young man from another tribe, whom she met at school. They want
to marry.
Her mother, Jalila, on the
other hand, is suffering humiliation and unhappiness as she prepares the
wedding feast for her husband who is taking a second wife. The story of these two women, mother and
daughter, provides the basic narrative structure for this film.
The dancing at the wedding celebration shows Jalila
celebrating with a forced smile. Because
there are no men at this celebration, she is wearing a false mustache, creating
a striking image. But her face also shows
a mix of pain, determination, and mostly worry about her daughter who she knows
will never be permitted to marry the man she loves, a man from outside the
tribe.
The characters in the film are compelling, even the father
whose actions, in dealing with these two strong women in his life, are based on
what seems to be at first unclear motivations.
It eventually becomes clear to the viewer that he is mostly conforming
to what is expected of him and makes all of his decisions based on what other
men in their world would say.
This is a gritty and authentic picture of life for the women,
a hard-hitting emotional and psychological study. These women live very difficult lives and
they desperately need to believe that things might change for them and that
their family conditions might improve.
You might think that the position of the new second wife is actually to
be envied. But the viewer gets a glimpse
at her own humiliation at not having been able to catch a young husband who
would make her his first wife.
Sand Storm was a prizewinner at the Sundance
festival, and more recently, the winner of multiple Israeli Ophir awards,
including best directing and best film, which makes this film the Israeli entry
for the Academy Awards. Debut filmmaker
Elite Zexer was originally drawn to the world of the Bedouin of the Negev via her mother who is a photographer and had long ago made personal connections with this community. Zexer is to be commended for her success as a Jewish filmmaker looking in
at Arab society. This film is a
tour-de-force in its emotional power, effective script and visual strength.
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