Red Cow, the new debut film by Tsivia Barkai-Yacov, tells the story of
Benny, 17-years-old, who lives with her father. Her household is an interesting one -- her father encourages her to don tefillin
for morning prayers and her mother died at
Benny’s birth.
Benny’s name, short for Binyamina, draws our attention to her
ambivalent attitude toward her role as a female within her religious community. Another cue, perhaps not so subtle, is the
extreme close-up on Benny’s red hair, which opens the film. This is certainly a reference to the red
color of the cow in the title of the film, and already a hint, in the first shot, that Benny
herself might become a sacrificial lamb.
The fascinating part of this film is the context – Benny and
her father live in a small apartment which looks out at the Dome of the Rock, in
an enclave surrounded by Muslims, perhaps in the village of Silwan, right
outside the Old City of Jerusalem. Her
father is a leader of a right-wing group of zealots who favor the use of violence
in order to stop the evacuation of hilltop youth at Amona, and more importantly
believe it is their duty to bring about the destruction of one of the most holy
Muslim sites, the Dome of the Rock, thereby permitting the rebuilding of the Temple
in Jerusalem. According to the Bible, in
order to re-establish prayers in the new temple, they need an unblemished red
heifer which must be sacrificed. Now that a sacred red heifer is found, they
are that much closer to their goal.
Notwithstanding the wonderful photography and composition of
each scene and the interesting political context, the rest of the film is a
poorly scripted story of a girl’s dissatisfaction with her community (she goes
so far as to tell her father that his plans could bring about World War III)
and her sexual awakening in the arms of another girl. Her authoritarian father’s
reaction when he learns of this homosexual affair is quite painful to watch. But more importantly, we see how the affair becomes
the most important journey in Benny’s life – more important than the religious
and the political.
Red Cow is available from Laila films (lailafilms.office@gmail.com).
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