Anat Zuria is a talented documentary filmmaker who lives and
works in the Jerusalem area and makes films that deal with religious women and
women's issues -- check out Purity and Sentenced to Marriage -- both about issues
of Judaism and women (both have previously been reviewed on this blog).
Her latest film, The Lesson (90 minutes, documentary), is also about a religious woman -- in this
case, a Muslim woman named Layla who grew up in Egypt and came as a young bride
to live in Jerusalem with her new husband.
Layla is not her given name -- it is the name that was assigned to her
when she came to live in Israel at the age of 15. This is the first hint of strange
circumstances, which even she appears not to fully understand.
Today, Layla is an elegant, mature woman who is learning to
drive. Through the discussions that she
has with her driving teacher, we get to know her, to see her as a remarkable and
expressive woman, and an intimate portrait is drawn.
We also meet Layla's family back in Egypt as she calls them
via skype and we get to know one of her grown children -- her daughter Hagar
who was brought up in Jewish schools.
Hagar writes compelling and beautiful songs -- but her mother, in a
moving moment, expresses her disappointment that her daughter addresses God in
Hebrew and not in Arabic.
As the circumstances of Layla's life are slowly unfolding
before us, we realize that this is a complex story. It is about the hardships of being a Palestinian
in Jerusalem, the difficulties imposed by the security wall/separation barrier, about loneliness
and being a woman on her own, struggling
to hold on to her own identity and her ties to her past. It is also about her troubled relations with
her children and about their issues of national and religious identity.
A haunting and sensitive film, The Lesson, which won an
award for best documentary at the Haifa Film Festival 2012, is available from
Go2Films.
1 comment:
I loved this film too. What a treat to get to know this women and to see and experience life in jerusalem through her eyes. As much as is revealed also remains hidden, and the viewer is left with many questions. But this does not retract from the viewing experience or the sensitivity of the film.
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