Fourteen years ago, with the vision of Lia van Leer and in
cooperation with Ma'aleh (the educational institute, not the film school), I
founded and directed the Jewish Film Festival at the Jerusalem
Cinematheque. Since that time, the
Jewish Film Festival has become an annual tradition, taking place each year during
Chanukah week.
I want to write here about two dramatic films that I previewed this
week that will be screened at the upcoming festival.
The first is a short drama about the ultra-orthodox
community. The film is called Tshuva (Repentance) and
is directed by Yaron Dahan. Lately, perhaps due to the fact that Rama
Burshtein's Fill the Void has been wildly successful and is still playing in
movie theaters in Israel, there has been a new interest in films that deal with
the ultra-orthodox population.
Tshuva, a stylized
and dramatic short (40 minutes), is about
a crisis of religious faith. A Hassid
loses his family in a terrible car accident.
Searching for meaning, he roams the bleak Tel Aviv streets, mostly at
night, where his despair is reflected in the people he meets. First, he encounters a man who lost his wife
in a work accident back in Kiev. This
man is now living on the streets and tells him, God's wrath is "at least a
point of contact between Him and us." Then he meets an older man in a bar
who hates God because of what the Nazis did to him. But the Hassid hesitantly insists that we
were being punished for our sins. He has
recurring visions from the night of the accident. But, like Job, he must figure out how to get
on with his life.
In a completely different style, and on a completely
different subject -- Bottle in the Gaza Sea by Thierry Binisti is a full-length
feature film about the forging of a friendship across the divide between a
Palestinian and an Israeli. Tal is a
17-year-old daughter of French immigrants, living in Jerusalem. Naim is a teenager living in Gaza. One day, after a particularly gruesome
suicide bombing in Jerusalem, Tal writes a naive letter -- asking questions about why would anyone
become a suicide bomber, how can anyone take innocent lives -- and places it in
a bottle and has her brother (who is serving in the army in Gaza) throw it into
the sea near the Gaza Strip. Naim and
his friends find the bottle and Naim begins an e-mail correspondence with
Tal. At first their interactions are
filled with animosity and stereotypes, then finally a tentative friendship is
formed.
There is some complexity to the story, showing the issues on
both sides and the Palestinian family is quite believable and authentic (the
French family is not as well-acted and therefore less authentic). The suspicions, the ongoing suicide bombings and
counter retaliations by the Israeli army, and the attempt to get on with life as usual are similar on both
sides. What makes this film special is
the development from naivety to a tentative friendship and from there to a new
political consciousness and mutual understanding.
Bottle in the Gaza Sea is a French, Canadian, Israeli
co-production.
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