Rock in the Red Zone by Laura Bialis is a compelling
documentary film about the making of music under difficult circumstances in
Sderot. Sderot is a small town which was
built in the 1950s for new immigrants and was purposefully placed on the border
with Gaza, the same way that Kiryat Shmona was placed on the border with
Lebanon, in an attempt to populate the land and preserve the borders.
During the last 14 years, citizens of Sderot
have been living under an ongoing barrage of qassam rockets, sometimes hearing dozens
of sirens a day, instilling fear and anxiety into the lives of all who live
there. It seems that music is created
under unusual circumstances, and Sderot has become a city of music. The filmmaker/narrator says, “I’d always
heard that good music comes from hard places.” This is where the famous Israeli
rock band Teapacks -- as well as many other musicians, young and old --
originated and developed their music.
The film provides the viewer with two parallel unrelenting
experiences -- the qassam rocket attacks of many years and the music that
becomes a therapeutic way for many young people in the town to deal with the
situation. These are woven together in an
emotional and hard-hitting portrayal that takes you on a roller coaster ride,
using real-time footage of qassam attacks, mixed with the personal stories of
the musicians, and so much music! A special
focus is placed on Avi Vaknin and his stirring lyrics which are so much about
the trauma and the psychological burden of living with the bombs falling. Vaknin runs a music program for youth, where
the Ethiopian singer, Hagit Yasu, is nurtured -- she eventually goes on to become
a star on the Israeli TV show, Kochav Nolad (similar to American
Idol).
There is also the story of Sderot itself, a town built of
new immigrants from North Africa and the
Middle East. The citizens—who have felt abandoned and discriminated against
over many decades since they were dumped
there by the ruling Askhenazi elite in the 1950s --see the current apathy of the Ashkenazi
majority in Tel Aviv as a continuation of this phenomenon. We witness them
going to Tel Aviv several times to protest and create awareness of their unique
situation. . Nevertheless, they have
remained loyal to their town and its culture. Asked why they just don't leave ,
the musicians talk about being rooted in this place and how it is part of who
they are.
The film also includes the personal story of the filmmaker
herself, a woman from Los Angeles who finds the story of Sderot compelling, goes
there to make a film, and finds herself drawn to the place and the people.
Extending her stay from three weeks to two years, she says that Sderot
is a "place where you take nothing for granted."
During the discussion with the audience at a special screening
last night sponsored by the Shalom Hartman Institute at the Begin Center in
Jerusalem, the filmmaker discussed the politics (or lack thereof) expressed in
the film. She explained that living in
Sderot and experiencing the red alerts, they felt different emotions every
day. Some days they felt bad about the
children in Gaza who were suffering just as much or even more than they were,
and they wanted the government to make peace.
And some days they felt that Israel just had to bomb them back!
Even though this film is essentially a human film and not an
overtly political one, one cannot ignore its political undertones. The politics
inherent in a film like this make the screening of the film a bit
complicated. But this filmmaker, especially
in her comments after the film, expressed poignantly the ambivalence that many
people in Israel and abroad feel about the ongoing bombings in Sderot , and the
Israeli military reactions. In the end,
we are left with piercing questions: After
experiencing the unrelenting barrage of rocket attacks, should we give in to our anger and clamor for
more military intervention to eradicate Hamas in the Gaza Strip? Or, since our attacks on Gaza lead to
escalations in the violence as well as the nurturing of more and more terrorists,
isn't it time to think of another way to resolve the problem?
Rock in the Red Zone (documentary, 87 minutes)
is available from Go2Films.
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