Manpower (directed by Noam Kaplan) is a biting
and tough film about four different stories which intersect in South Tel Aviv
where thousands of African political refugees and migrant workers live. This is a film about the difficulties of
everyday life, about financial problems, loneliness, about getting along in a
society that is not so welcoming, about frustration and despair. Israeli society doesn't treat these workers
well, their status is problematic and the situation is complex.
There have been many excellent Israeli films about migrant
workers, which deal with how they are treated within our society, such as --
The Human Resources Manager (Eran Riklis)
Foreign Sister (Dan Wolman)
James' Journey to Jerusalem (Ra'anan Alexandrowicz)
Noodle (Ayelet Menachemi)
Janem Janem (Haim Bouzaglo)
James' Journey to Jerusalem (Ra'anan Alexandrowicz)
Noodle (Ayelet Menachemi)
Janem Janem (Haim Bouzaglo)
This film is perhaps less fictionalized
than the others and shows the bare reality of living as a foreign worker in Tel
Aviv and how the Israeli authorities deal with this sensitive problem.
Loaded with irony, this is a film about belonging, emigration, and
uprootedness.
Emigration and loneliness:
There is the Jewish cab driver whose son, Philippine daughter-in-law and Israeli-born
grandchild have decided to better their lives by emigrating.
Frustrations:
There is the policeman who comes back from a police trip to Buchenwald and is
assigned to round up African foreign workers living in Israel. It's not
so easy to raise a family on a cop's salary.
Uprootedness:
There is the Nigerian man with his wife and child, a leader within the African
community, who works cleaning houses despite humiliation and fear of
deportation.
Belonging:
And there is the teenager who works at Aroma, born in Israel to a mother from
the Philippines, desperately hoping to join a combat unit in the IDF in order
to fit into Israeli society.
Manpower
portrays the despair and denigration of these families trying to live their
lives and of the cops who are themselves victims in so many ways. You
feel for the characters, all of whom are real people living in South Tel Aviv.
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