Orange People, directed and written by Hannah
Azoulai-Hasfari, is an intriguing and wonderful woman's story -- about three
generations of Jewish Moroccan women, living in contemporary Israel. In both of Azoulai-Hasfari's films (she also wrote
the script for Shchur), the subject matter is about supernatural
powers. According to Azoulai-Hasfari (in
a radio interview on Reshet Bet, May 2, 2014), the Moroccan culture has a
strong belief in the power of dreams and demons.
Orange People is a richly colorful and quirky
film, focusing on a Jewish Moroccan grandmother, Zohara. Having grown up on the coast in Tangier, she
is strangely connected to the sea and lives in an old house on the
seashore. She has some kind of extrasensory
perception whereby she is able to enter into a spell and dream the past, and
then provide advice on a client's future.
Beautifully photographed in rich and warm colors, the focus
of the film is on Zohara's relationship with her two daughters, neither of whom
want to continue her line of work.
Instead, both of them work professionally as cooks -- one has a
restaurant in Bat Yam and the other in Paris.
They have learned to cook from their mother, who spices her food with
gold, which is a metaphor for the rich life and culture with which she was
endowed before leaving Morocco. The
story also includes Zohara's teenage grand-daughter and the special
relationship between the two.
Azoulai-Hasfari explains that the film is about her double
identity which grapples with two worlds -- the traditional world and the modern
world. Why do I make these films, she
asks? It's a way of coming to terms with
my identity. In both films,
Azoulai-Hasfari plays the role of the outsider, but she doesn't necessarily see
herself as an outsider, rather, she sees this world as central to who she is.
Orange People is an uplifting film, produced by GreenProductions
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