Saga of a Photo, directed by Mooly Landesman, tells the
fascinating life story of Margot Klausner -- a woman of great courage and
vision, who is credited with being among the founders of the Habimah National
Theater in the 1930s and responsible for the building of the first film studio
in 1949. Based on her diary entries, family
photos, home movies, personal letters, and using dramatic re-enactments, her granddaughter
tells the story of her life in this extraordinary documentary film.
The film begins with this photo of Margot's wedding in 1926 Berlin to
her first husband, Jacques Rosner. During their honeymoon in Palestine, it
is already clear that the young and elegant Margot is excited about the
possibilities and challenges of life in Eretz Yisrael. Her father owned a shoe factory and a chain
of shoe stores throughout Europe. She
becomes involved with the Habimah actors who came to Berlin in those years and
builds a special relationship with the manager, Yehoshua Brandstatter. At that time, the actors were not all
convinced that they wanted to make aliyah.
But Klausner and Brandstatter prove to be a formidable team, and using
some of her family money, they bring the theater troupe to Tel Aviv where they establish
the national theater and are part of its management for nine years.
At this time Klausner and Brandstatter participate in their
first film production -- the production of a remarkable landmark documentary
film, Land of Promise, with original songs composed by Natan
Alterman, which won first prize for documentary film at the Venice Biennale. After the establishment of the State, they go
on to use their personal resources to establish the first major film studio in
Israel. The ground was broken for the
new building in 1949, and the film laboratory and sound stage were opened in
1952.
The film also includes the personal side of Margot's
life. She had two children -- Miriam,
the daughter that she had with Jacques, and Amos, the son that she had with
Yehoshua. Miriam's husband, Tzvi
Spielman becomes the technical director of the Herzliyah Studios.
Through the life of this remarkable woman, we are offered a
glimpse at the history of Israeli theater (with vignettes from early Habimah
productions) and milestones in Israeli filmmaking (with scenes from early
productions such as Hill 24 Doesn't Answer). In the 1960s, filmmaking in Israel becomes a
bigger business, and the Studios were involved in the production of many important
Israeli films such as The Boy Across the Street, I Love You Rosa, The
Policeman, Sallah, and Peeping Toms, not to mention the
thousands of documentary films, TV productions and newsreels that were
processed in the studio labs.
Margot Klausner was a woman with a vision. In a country where cinema was not yet
considered a cultural art, Klausner realized the importance of developing a
film industry. At the cornerstone-laying
ceremony of the studios (July 3, 1949), the statement of goals included: It
is the aim of the founders of these Studios to draw the attention of the
nations towards our way of life in Israel, through the aid of movies, an art
which has such a great influence in the world and reaches into all countries.
The documentary film, Saga of a Photo
(documentary, 80 minutes), is a fascinating look at the life of one woman,
combining the personal with the national stories. The film is available from Ruth Diskin Films.
1 comment:
I worked at Herzlia film laboratories in 1970. Margot was
an angel and dealt with every staff member with patience
in a business like, albeit friendly manner. She had true insight in relating to everyone and took great care to ensure we were happy in our chosen profession.
Unfortunately I found technical difficulty in the labs as certain strict laboratory rules, which I had been trained
in England were frequently broken. I went my own way and worked for the rest of my time at the rival laboratories
based in Givatayim. Micha Adelman.
Post a Comment