This week, Fill the Void, directed by Rama Burshtein, opened
in Israel. The film was screened in the
competition at the Venice Film Festival, 2012, just recently, where the lead
actress, Hadas Yaron, won an award for best actress.
The first scene sets the context and the theme -- the
audience watches as 18-year-old Shira and her mother are eyeing Shira's
intended as he nervously stands by the dairy counter in a supermarket. The context is an ultra-orthodox Hassidic community and
the theme is arranged marriages.
If we truly value diversity and pluralism, then it is surprising
that we haven't seen more films that provide us with greater understanding and
empathy for the ultra-orthodox community,
especially ones with so much charm! Although
there have been many films in recent years that offer a window into this world
-- Kadosh (Amos Gitai), Ushpizin (Gidi Dar), Secrets (Avi Nesher), Eyes Wide Open (Haim
Tabakman), God's Neighbors (Meni Yaesh) -- all of them have been critical or
poked fun at the world that they portray.
Different from the others, Fill the Void provides an intimate, loving and sensitive look at the community.
Although not didactic in any way, the filmmaker, Rama
Burshtein, herself an ultra-orthodox woman, has included many scenes that provide the viewer
with an introduction to this community, its religious beliefs and practices,
including ritual washing of the hands, giving tzedakah (charity) at Purim, consoling
the bereaved, and wedding preparations -- and offer a glimpse at their
problems, often confusing and sometimes trying.
This is a unique and tight-knit community in which people go to ask
their rabbi for advice and girls dream only of marrying their bashert (promised
match).
Not a complex film -- although the story does have some
twists and turns -- this is a romantic drama
--charming, well-made, somewhat artistic (lots of traditional music, constant use of
close-up) and highly recommended! Also,
it offers a welcome relief from the usual screen offerings which include so
much vulgarity and violence!
Fill the Void is available from Norma Productions.
The filmmaker is quoted talking about the haredi world in a Reuters report that appeared in Ha'aretz on Sept. 3, 2012 --
"People don't know much about this world, so it's not a question of celebration or criticism -- it's a window into this world," said New York-born Burshtein, who grew up in a secular family but became ultra-Orthodox. "I Love this world, I come from it, I chose it, I was not born in it But I think we hear many voices (in the film), I think it's open," she added.
The filmmaker is quoted talking about the haredi world in a Reuters report that appeared in Ha'aretz on Sept. 3, 2012 --
"People don't know much about this world, so it's not a question of celebration or criticism -- it's a window into this world," said New York-born Burshtein, who grew up in a secular family but became ultra-Orthodox. "I Love this world, I come from it, I chose it, I was not born in it But I think we hear many voices (in the film), I think it's open," she added.
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